In creating and directing the performance of Combing Sedna’s Hair, I have reflected many times on where the centre or centres of gravity are within the world we are imagining together. Each character in the novella and the extracted thread which forms this performance goes through a journey of transformation after meeting a pivot point. These can be thought of as crisis moments.

In Chinese calligraphy, the word for crisis is composed of two characters: ‘danger’ and ‘opportunity’. ...


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